Location: Jerusalem, Palestine
Photo capture name: unknown
Date taken: 1948

The picture was taken in 1948 at the beginning of the Palestinian catastrophe, and the aim of taking it is to show the amount of grief present in the eyes of the two girls and their grief to leave their lands to the unknown for the sake of establishing the Jewish state. Behind them the name of the capital of Palestine, Jerusalem, shows the true identity of the state of Palestine. The image was published on many electronic communication platforms, where it received a lot of interaction because of the picture the pain of the Nakba and the pain of the Palestinian people due to their voluntary expulsion from their land in favor of external policies and internal betrayal that displaced a large number of the Palestinian people. It is those who saw the picture that the catastrophe was nothing but an orphan for children and the displacement of an entire people in order to establish a state hostile to Arabs and Arabs that do not know mercy, but the identity of Palestine and its capital will remain immortal in the image. No one can erase the truth of Palestine and the truth of its capital, Jerusalem.

The photo was taken by Ahmed Al-Ghazawi. The aim of this photo is to show the aesthetic of the ancient heritage, architecture and art in which our ancestors were famous in the past, where an old house whose features did not distort any new development appears in the picture, so its old windows and wooden doors tell the stories of beauty and taste in which our ancestors were famous. The picture was published on the social networking platform Facebook, to respond to positive responses from followers, because of the natural beauty of the image. The image attracted many followers because of the bright colors that are comfortable for the heart before the eye, and because of the breathtaking beauty that it cannot be ignored. The followers understand the image as a civilizational, cultural and historical reflection of its beauty and nostalgia for the past and the warmth of the village that we no longer see today with the progress of the extinction of the ancient heritage of construction.